Thousands. Packed in tighter than a used tent. Wriggling like a queue to the Ladies. As far back as the eye can see. A horizon of heads. You’re near the front. You’ve been waiting for hours. The smell around you is hot and stale and you stand on tiptoes in an attempt to suck some fresh air, to feel a breeze, to see what’s in front of you. The sun beats down on the top of your head, fighting through the grime to burn a red line in your parting. A spray gives light heavenly relief, short lived as you see the cup of piss flying overhead. Then your knees start to ache and you bend down, surrounded by a forest of legs – bare, jeaned, tattooed – holding on to a friendly calf for support (a technique that can also be adopted while watching rugby in Walkabout). Bending down staring at crushed plastic cups and fag ends. Thinking you can’t go on much longer, thinking that jumping to System of a Down’s ‘Bounce’ took it all out of you (and you daren’t stop bouncing for fear of being sucked under). But suddenly there is a stirring in the crowd, a rumble that slowly rises to a cheer. You jump to see over the heads and realise it’s just a techy/roadie/bloke who’s not in the band doing a sound check. He hits the drums and you carry on with your pain. Nothing new. You’ve been hearing drums all day.
Then he hits the bass drum.
Shit.
It’s incredibly loud and indescribably deep. Not a bang or a boom, not just a noise, but a feeling. Calling it a feeling makes it sound like a twinge or an emotion, this is more of a punch. A giant punch to your chest that trickles down to your toes. It’s followed by a droning sound that you realise is coming from you. Every time he hits the peddle he thumps you. You look at those around you who feel it too. Each hit sends shockwaves through the crowd like a Mexican wave. You hear them. Thousands of people groaning as they feel like their insides are going to explode. Groaning with joy, excited for the prospect of their chests being ripped open by some extremely loud fast music. The crowd vibrates. Awakened by the deep throb of the bass drum. Awakened by the knowledge that at any moment, Metallica will be on stage.
Then ‘The Ecstasy of Gold’ starts playing and you almost lose bladder control.
That was my first experience of seeing Metallica live. The next time I nearly did get my chest ripped open by a full two litre bottle of coke.
You might suspect I’m interrupting our usual broadcast for a bit of Fan Lit. I’m not even sure if ‘Fan Lit’ is a proper term, I googled it and just got a lot of information about overhead lighting. This is my American Psycho moment where I spend a chapter talking about a band I love, except that my knowledge on Metallica isn’t half what it used to be, and due to my lack of interest in research I wouldn’t expect too much from this post. It only came to me after playing a CD in the car with the bass on 6 and remembering that feeling. That bloke stepping on the bass drum and me thinking ‘What the frickin-dickin was that? What the hell is going to happen here? Do I need to ring my mother?’
I haven’t always been a metal fan. The first album I owned was Abba Gold and the last album I bought was Mumford & Sons. But at the age of 15, with an intense love for Axl Rose, I was slipped a tape and told ‘listen to this’. I was eased in gently with S&M and listened to it so much then when I got round to buying the actual albums I found the original versions strange, yet raw and exciting. Then I bought Kill ‘Em All for a fiver in a music shop in Maesteg. I hadn’t heard these songs before and remembered hearing ‘Whiplash’ and knowing that things would never be the same again, the world was not what I thought it was… well I was a teenager and highly dramatic. WE’LL NEVER STOP, WE’LL NEVER QUIT, COS WE’RE METALLICAAAAA!!! I was hooked. I got all their albums, drove my mother wild with Master Of Puppets, which to this day I think is one of the best albums of all time, and my teenage hormones quickly shifted to James Hetfield. I drew pictures of James and imagined having Metallica tattoos… luckily I never did, opting for a pretty shitty daffodil instead. Rock on.
I was only two years old when Cliff Burton died and was even too late to see Jason Newsted who I also loved, even though I don’t think he was ever fully accepted by the band. I’m not one of those fans who won’t admit when something is bad or wrong. I don’t laugh at every one of Billy Connolly’s jokes and I don’t like every flavour Ben and Jerry’s. To be honest I only really listen to a few Metallica albums and these are all pre-Bon-Jovi-bloke ones. As we grow we learn that even our idols are human. But then it doesn’t really matter because that night, at the Carling Festival, Leeds in 2003 they were gods. You don’t worship something for years expecting it to appear right in front of you. I spent the whole of the first song (shit knows if I remember what it was) repeating ‘It’s them, it’s really them.’ Kirk Hammett played a guitar solo that didn’t seem humanly possible, Lars was like a demon – especially with his facial expressions, and James Hetfield just looked heavenly in his tight black jeans (I was still a teenager remember). At the end James flicked plectrums and I thought how lucky all those people were who got one, even those who got one in the eye.
I walked back to the tent feeling at peace. Aching and with a ear-ringing that would last for 24 hours, but utterly satisfied and content. Silent and smiling. This was also my first festival. I didn’t look very ‘metally’ with my three-quarter trousers from Matalan and a bum bag under a baggy black t-shirt. This was before festivals were fashionable. No boho chic here. Just mud, pee and stale warm lager. Cries in the night of ‘Some bastards nicked my Orangeboom!’
Without Metallica I might never have felt the warm sting of pee on my shoulders, might never have seen a vast bottle pit, might never have screamed ‘Master!’ so much that it shredded my throat, and I might never have heard a sound so powerful that it could resonate through a sea of people and make me fear for my spleen with a smile on my face.













